Mr. Roosevelt centers on Emily ( Noël Wells ), a struggling comedian who returns to Austin, Texas, due to a family emergency, forcing her to stay with her ex-boyfriend, Eric ( Nick Thune ), and the seemingly perfect Celeste ( Britt Lower ). The film adopts a straightforward narrative structure reminiscent of the screenwriting guide “Save the Cat,” which some critics argue is overly simplistic. However, Mr. Roosevelt cleverly utilizes this simplicity to create a light-hearted comedy that remains accessible, even for viewers who may join midway. This simplistic narrative allows its characters greater freedom to engage in scenes resembling SNL skits, a likely result of Noël Wells’ dual role as writer and director. The film features captivating characters, with Lower delivering a remarkable performance that foreshadows her future work in Severance.
‘Mr. Roosevelt’ Tells a Simple Story That Lets Its Characters Shine

While many films prioritize plot progression, Mr. Roosevelt takes a more meandering approach, leading to a conclusion that may leave viewers questioning the events of its 90-minute runtime. Some might see this as a flaw, but it contributes to the film’s refreshing and relaxed atmosphere, allowing Noël Wells’ characters to truly shine. Emily emerges as a hilariously genuine, childlike comedian whose earnestness starkly contrasts with the harsh realities of life, exemplified in her audition scene for disinterested casting directors, which feels reminiscent of SNL audition tapes that have surfaced online.
Additionally, Jen’s ( Daniella Pineda ) gothic waitress character and Art’s ( Andre Hyland ) simple, stoner persona provide a necessary counterbalance to Eric and Celeste’s polished personas. Without these diverse characters, the film would lack depth. Instead, we witness engaging conflicts stemming from contrasting perspectives, ultimately guiding Emily to discover her own identity.
Britt Lower’s Performance in ‘Mr. Roosevelt’ Shows Hints of Helena Eagan in ‘Severance’
It’s impossible to discuss Mr. Roosevelt without acknowledging Britt Lower’s performance as Celeste, Eric’s seemingly ideal girlfriend. Celeste appears to be a stable choice for Eric against Emily’s chaotic energy, creating uncertainty about whether the audience should root for Emily. Although Emily parts ways with Eric, Celeste initially seems kind, yet her dialogue often straddles the line between friendly and manipulative.
When viewed alongside Severance, it becomes clear how Lower infuses a deeper tone into this role, reminiscent of her portrayal of Helena in Ben Stiller and Dan Erickson‘s sci-fi thriller, while also showcasing her bubbly and charismatic side akin to Helly. Although Celeste and Helena are distinct characters, Lower’s performance allows for moments where the two seem interchangeable. Wells’ writing crafts a refreshingly complex representation of the new-it-girl trope seen in other comedies like Bridesmaids, as Celeste’s self-awareness remains uncertain.
In conclusion, viewers should approach Mr. Roosevelt with the understanding that it may not deliver a mind-blowing narrative akin to Severance. Instead, embrace the unique structure that Wells employs. Enjoy the opportunity to engage with these vibrant characters for 90 minutes and savor the humor woven throughout the film. The movie serves as a noteworthy addition to the competitive comedy genre, where two individuals vie for one person’s affection, with Lower’s performance standing out and becoming even more intriguing when compared to her role in Severance.
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